Episode 176
· 22:43
# 179 | Ted Lasso Season 4, Episode 1 — Stole My Line
# Cleaned transcript
[00:00:00] Drew:
I would argue Ted's passion is not Richmond, it is coaching. So when everyone's like, "You need to get back to your passion" — that is not a good excuse to move to one.
[00:00:00] Grant:
But he does love the people there. It's not completely unfounded that he would make this decision.
[00:00:14] Drew:
True, 100%. No, I agree.
[00:00:26] Grant:
Welcome back to Stole My Line, a fireside film podcast. I'm Grant, and we're talking about Ted Lasso Season 4. Drew, I have a take that I don't think I've seen on the internet before, but this is my personal take.
[00:00:30] Drew:
And I'm Drew. Okay, hit me.
[00:00:34] Grant:
This season should not exist, for a reason that has never been said. You want to know that reason? Ted Lasso would never, ever return to England to coach real football — or "soccer," as we call it here in the States. And you want to know why? Because in the modern-day college athletics landscape of NIL, Ted Lasso would make so much money returning to college American football. Let me know if you think that's right.
[00:00:43] Drew:
I'm on the edge of my seat.
[00:01:00] Drew:
Yeah, I agree. And there's something in the show — episode one of season four, which we'll get into in a second — where I was like, this doesn't make a lot of sense. Why is our beloved protagonist in this situation?
[00:01:18] Grant:
Right, and I say that very jokingly. I actually think if Ted Lasso the character was in that situation, he probably would be like, "I'm not messing with college athletics and what it's like nowadays." But I think we get to a bigger issue of whether season four should exist at all. We're going to talk about that, and probably do an audit of Ted Lasso — the show, every episode that we review. But before any of that — Drew, first off, how are you?
[00:01:42] Drew:
I'm no good. Yeah.
[00:01:43] Grant:
That's good. Um, what do you think of Ted Lasso, the first three seasons — "The Richmond Way"?
[00:01:48] Drew:
I is I — is that the subtitle? That —
[00:01:51] Grant:
Well, I don't think that really is it, but if you buy the Blu-ray or 4K of the first three seasons, it says "The Richmond Way." I guess it's what he writes in season three.
[00:01:58] Drew:
That is the name of the book that Trent Crimm writes at the very end of —
[00:02:02] Grant:
— three. Yeah.
[00:02:03] Drew:
Not the show anymore, because we have season four, but —
[00:02:04] Grant:
Really — I completely agree.
[00:02:06] Drew:
I mean, I kind of have a love-hate relationship with the show. I think one and two are absolutely phenomenal. I think season three dropped the ball pretty hard.
[00:02:06] Grant:
I think season three has really good moments in there, and it concludes the show well — what would have been concluding the show pretty decently.
[00:02:21] Drew:
Right. I have a take on why this show kind of feels off, and I think it still feels off to me, and I don't really know — if it's popular, people will agree, but that's okay. I think season one and two did a great job of balancing drama and comedy very well, and the drama felt equally as impactful as the comedy, based on performance and writing and all the things.
[00:02:29] Grant:
Okay.
[00:02:38] Grant:
Yeah, I mean — this is a spoiler for the first three seasons of Ted Lasso, by the way. If you're here — watching this scene in season two, when Rebecca is talking, I guess it's her dad's funeral that she's at, or someone's funeral, I can't really remember, it's been a while since I've seen season two — but she's talking about that, and then Ted is in therapy, talking about his dad and his dad's death. It's a really good dramatic scene.
[00:03:08] Drew:
Oh, that's such a good, great dramatic scene.
[00:03:12] Grant:
Sorry, continue.
[00:03:13] Drew:
Um, I think season three lost that balance — this first episode of season four still feels like it doesn't have the balance.
[00:03:17] Grant:
I would agree, I think there's obviously — where's the purpose here? And we'll get into that. I think there's a good nostalgic feeling of, "Man, I love these characters, I miss Ted Lasso," and that's hard to overcome. I have a take on season four that I want to debate a little bit, but I still think it's hard to see the purpose in this season existing at all.
[00:03:51] Drew:
Agree. And also, we're in episode one, maybe episode two through — however many episodes there are, ten or twelve — episodes two through whatever are incredible and justify their existence for the show, and that's what I'm hoping for.
[00:03:59] Grant:
I don't know how many episodes there are.
[00:04:06] Drew:
I want the show to be justified, but it does feel like a cash grab, kind of, from Apple. And did you see the trailer before the episode? I don't know if this was —
[00:04:17] Grant:
I didn't know.
[00:04:18] Drew:
Oh, it's like — it was like Ted Lasso, but like, feeling grass, and then it cuts and it's like the Severance floor. It's just like the Apple Extended Universe, basically.
[00:04:24] Grant:
Oh — okay, I didn't see that trailer. I watched this like, weirdly, through Prime, I got some weird Prime-Apple TV connection, it was a weird thing. I don't know how I set it up, but I didn't get that trailer.
[00:04:38] Drew:
But I mean, it's basically Jason Sudeikis and all of the other Apple shows, but it very much feels like — Ted Lasso definitely was the flagship until Severance really got big, and they're obviously trying to bring that back, whether they have a good narrative reason or not is still TBD, but it feels gimmicky.
[00:04:57] Grant:
Well, when Ted Lasso, I think, was renewed for season four, Severance season two hadn't come out yet. I don't also think Pluribus had come out yet. I'm sure they were both in the works at that point, but Ted Lasso was kind of the only thing keeping Apple TV in the main conversation of streaming and the Emmys race and all this stuff, right? I think that Severance season two became the biggest Apple TV show, over Ted Lasso, once it came out. So now Apple has a few flagship IPs going on. I think Apple recently acquired Severance — like, officially, they own it now. But now Ted Lasso is back, and when they confirmed season four, it really felt like the writing on the wall was, "Hey, we don't have anything that's really catching on right now, we've got to bring Ted Lasso back because that's the only thing keeping us going." But then, now, let's see how it works out. I don't know. Here's a question for you — did you see many trailers for it? I saw a few trailers online, and maybe one on TV.
[00:06:04] Drew:
I've seen no marketing, which is also weird.
[00:06:08] Grant:
Now, I didn't watch as much World Cup, so maybe there were a few, but that would be the prime format to bring back some Ted Lasso, especially.
[00:06:11] Drew:
There was no — there were no trailers for Ted Lasso. I know that's insane, honestly — Apple, what are we doing right now?
[00:06:19] Grant:
I thought this show started back in October or something, later in the year.
[00:06:22] Drew:
I did too. Yep.
[00:06:24] Grant:
And then I saw another trailer a few weeks ago, I was like, "Oh, Ted Lasso's in like two weeks."
[00:06:27] Drew:
Yes, we're talking about it.
[00:06:33] Grant:
So we're back with Ted Lasso. Do you want to rank the first three seasons, super quick?
[00:06:33] Drew:
Yeah, we can do it. I think it's one, two, three.
[00:06:37] Grant:
If you had to give a ranking, I would say it's one, two, three — but two is really strong.
[00:06:42] Drew:
Two is strong.
[00:06:45] Grant:
Close — one, two, three. We'll dive into why we maybe have issues with three and stuff.
[00:06:46] Drew:
It's significantly worse.
[00:06:50] Grant:
But that's our ranking, that's on the screen right now. I don't know — do you just want to dive into season four?
[00:06:56] Drew:
Yeah, let's go to episode one.
[00:06:58] Grant:
So, what are your thoughts?
[00:06:59] Drew:
We are not in Kansas anymore. But we all are in Kansas, but we're not — do you see what I did there, audience? I felt like that was clever. Thank you, thank you.
[00:07:03] Grant:
We are, but sometimes in Missouri. That's good, it's a good joke. I appreciated that.
[00:07:10] Drew:
Um, yeah, we're not in the UK — that is back, and here is my thing — this whole episode kind of irked me because, spoilers for season three, and honestly spoilers for the whole show, everything out — Ted's reason for moving away was to be with the son.
[00:07:27] Grant:
Yeah, Michelle.
[00:07:29] Drew:
And then this feels like the easiest way to get — Ted's gonna have conflict, which I like, I like that he has conflict, and I like that he said no. But then there is absolutely zero conflict with his family. He says, "Hey honey" — we're not "honey" because they're divorced — "hey" — I don't remember, Michelle — "hey, Michelle, how do we feel about moving to London?" And a person texts back and says, "I am down, I think I need to change a pace." "Great, how does Henry feel? This is Henry, also, mom says yes." I'm like — and I know that we don't want to be in Kansas, but it just feels like a super quick band-aid fix to rectify three seasons of a character. Okay — sure, I mean, I'm not saying I didn't have a good time.
[00:07:50] Grant:
Yeah, and I think I'm going to compliment this episode because, one — it's great to be back with the characters, like you said, but there are things that this episode does that I like. It has a time skip, like, it has a few years of a time skip between seasons three and four. Like, yes, it makes sense that Ted wouldn't immediately go back to Richmond. Two, I think that it makes sense that Rebecca would try to hire Ted for this position.
[00:08:40] Drew:
I agree.
[00:08:41] Grant:
Like, when they showed the trailer for the season, I was like, that's a gimmick, why would he come back? No — I think it makes sense within the universe that Rebecca would ask Ted to come back. I think the thing that gets me is the whole father-son dynamic — he spent so much time in the first three seasons building up his relationship with his son, and his desire to go back, and it ends on a perfect note. Like, he's going back to be with his family, and that feels like a good ending to the character.
[00:09:06] Drew:
I agree.
[00:09:06] Grant:
Just for him — the next episode would be like, "But I kind of miss work and all the people there." I don't know.
[00:09:13] Drew:
I know. And I think it is interesting — with the context that we have now, it doesn't feel as flashy, because we've had four years since three has been out, but on a binge, which is what the show will become — in twenty years, people are gonna have the same context, this is gonna feel insane — to be flashy, like, to go from three, where it's very — dang, this feels like the end of the show — to four.
[00:09:27] Grant:
Yep.
[00:09:38] Grant:
Yeah, I don't — he's on a plane back.
[00:09:40] Drew:
Where one episode he's in Kansas, and then — two — I assume he's back in London, I don't know.
[00:09:49] Grant:
Yeah, I think I agree, and I also don't want to knock this entire season just because it shouldn't exist.
[00:09:59] Drew:
Right, I'm not going to.
[00:10:01] Grant:
So I'm going to try to enjoy the season for what it is, but I completely agree — like, this "son" thing is what I'm getting hung up on right now, and we'll see if it gets justified throughout the season.
[00:10:11] Drew:
And the fact that his ex-wife — maybe they get remarried, that's kind of where the show is, there's been hints all along — his ex-wife is showed down so quick to follow her ex-husband —
[00:10:25] Grant:
Is she — is the son moving with him?
[00:10:28] Drew:
Yeah, I think so.
[00:10:29] Grant:
I could — let me look it up, because I did not read it that way, but it might totally be that way.
[00:10:33] Drew:
Because Henry says, on the text, "Mom said yes to" — oh, I guess maybe it could be like mom said yes for Henry to go, but that would be insane too.
[00:10:40] Grant:
Does Ted Lasso's family move to England?
[00:10:46] Drew:
In the trailer, they're cheering from the stands, both of them are.
[00:10:49] Grant:
Oh, you're right — you're right, you're right. It's easy for her.
[00:10:53] Drew:
This is a monumental life change.
[00:10:55] Grant:
Oh, yes — AI Overview says yes.
[00:10:57] Drew:
Okay, this is a monumental life change that they both were like, "Yeah, a change of pace would be good."
[00:10:58] Grant:
Yes, they do. No, okay — and I think it would have taken just one scene of, even Ted not there, just Michelle and their son — whose name I cannot remember — Henry, thank you.
[00:11:13] Drew:
Henry.
[00:11:14] Grant:
Having a conversation about, like, "Hey, I really like when Dad's passionate about it, about what he does, and I want to be with him in that. I think it's in Richmond, I think it's there."
[00:11:27] Drew:
Yeah, that would be better.
[00:11:28] Grant:
And it's implied to, when Ted has this conversation with his mom, of, "You really liked how happy your father was at his job, you liked that about his work — and his, when he was a coach, right? Because I think he was a coach —"
[00:11:45] Drew:
He was like a salesperson.
[00:11:47] Grant:
Maybe that was it, yeah. Wasn't there like a Coach of the Year plaque thing?
[00:11:51] Drew:
Who was like a salesperson.
[00:11:53] Grant:
Oh gosh, I'm just a goofball.
[00:11:56] Drew:
Right.
[00:11:56] Grant:
Regardless, I think that's implied in that conversation, and then you're supposed to translate that to Ted and his son.
[00:12:03] Drew:
Right.
[00:12:03] Grant:
But you don't really get that — I don't know, we've watched one episode.
[00:12:06] Drew:
And also, here's my other big problem the show kind of glosses over — Ted was an American football coach prior to Richmond. He then has a pretty successful three-year stint at Richmond —
[00:12:17] Grant:
Yes.
[00:12:19] Drew:
— and this is not explained, which bugs me. There is no way — he's not offered coaching positions back in America? There's no —
[00:12:34] Grant:
But where are the Premier League — I mean, maybe now they're Premier League teams, but like, at least —
[00:12:43] Drew:
Like a college football team, or even like MLS soccer, like —
[00:12:44] Grant:
And maybe he was turned down, but then, why is he managing or an employee at this supermarket?
[00:12:54] Grant:
It's funny to see him there, but the logic does start to break down if you really pick it apart.
[00:12:55] Drew:
Yeah, that — right.
[00:12:59] Grant:
Yeah, why would he leave his passion?
[00:13:01] Drew:
But everyone's like, "Ted, you need to get back to your passion." I'm like, his passion is coaching, his passion is bringing people together and — leadership and — what am I trying to say —
[00:13:12] Grant:
Just mentoring and inspiring others? Yes, like, yeah, 100%.
[00:13:15] Drew:
Mentoring people, right. You can do that as a coach for any sport, and that's kind of what the whole show's about. It's not about soccer, it's about the relationships, and it's about becoming a better person — and Ted is the leader of that.
[00:13:28] Grant:
Yeah, I agree. And you see him do that a little bit at the supermarket, with the other employee that he's trying to help, who's stealing whatever, and he wants him to stop.
[00:13:38] Drew:
Yeah, that's true, that's true.
[00:13:39] Grant:
Like, you see it, but it doesn't make sense that he would just go away from coaching entirely, because he's even coaching the soccer team at the end of season three — his son's, Henry's, right? And then in season four, he's like, well, being a father and a coach isn't really mixed. Like, yes, it's a band-aid explanation, but it doesn't make sense why he would just stop coaching entirely.
[00:14:00] Drew:
Yeah.
[00:14:01] Grant:
So I don't know.
[00:14:02] Drew:
I would argue Ted's passion is not Richmond, it is coaching, so when everyone's like, "You need to get back to your passion" — that is not a good excuse to move to one.
[00:14:12] Grant:
But he does love the people there.
[00:14:13] Drew:
True, 100%.
[00:14:13] Grant:
Like, it's not completely unfounded that he would make this decision.
[00:14:17] Drew:
No, I agree.
[00:14:19] Grant:
I guess we just wanted more of that there.
[00:14:21] Drew:
Yeah, I don't know, all that to say —
[00:14:21] Grant:
But I also do, though, appreciate that they spent a full episode trying to get Ted back.
[00:14:26] Drew:
This is not a great inciting incident for our story to begin, now — the story might be good, and I will say that, but —
[00:14:37] Grant:
Like, if he'd just gone back at the beginning of the first episode and been there, been at Richmond for the entire first episode, I think I would have really disliked it.
[00:14:43] Drew:
Yep.
[00:14:46] Grant:
I mean, I don't know, it's not the worst inciting incident to get him back there.
[00:14:50] Drew:
No, it's not.
[00:14:51] Grant:
And on a grand scale, I think, yes, I would enjoy a second part to the show where it's three more seasons of him as this women's football coach. As a concept, I would have liked that — I just don't think the show was written that way. They wrote season three as the ending. So if they had written season three as a transition piece, I would have appreciated that maybe a little bit more. So, I don't know.
[00:15:15] Drew:
No, I agree, all that's to say — I am excited to watch this show, and here's why — I am excited to see Roy, give me more Roy Kent.
[00:15:21] Grant:
Me too. I freaking love Roy. I think you're a little too Roy Kent, by the way — you have a little Roy Kent inside you.
[00:15:29] Drew:
I think I do, yeah, I love Roy so much.
[00:15:34] Grant:
I mean, the characters are so awesome.
[00:15:34] Drew:
This character is so good. Is Nate coming back? Okay, great, I'm excited to see Nate, I'm excited to see Coach Beard.
[00:15:40] Grant:
Yeah. Yes.
[00:15:40] Drew:
Excited to see Coach Beard. Jamie — is Jamie returning? I don't know.
[00:15:44] Grant:
I mean, surely the whole main cast is returning, right?
[00:15:45] Drew:
Surely. Um, yeah, I am excited to watch all the characters do their character —
[00:15:51] Grant:
I really hope that this show keeps up the overall quality of character development throughout a season. I love season two because of how they built out Ted and Nate's relationship, and how they almost told a whole story throughout them not interacting whatsoever.
[00:16:07] Drew:
So good. Yeah, also Jamie and Roy's relationship in season two is so good.
[00:16:13] Grant:
So good. So, I mean, even in season one, Ted and Rebecca's relationship, that dynamic, is really interesting, and how it ends with him just forgiving her.
[00:16:26] Drew:
Yeah, it's so good.
[00:16:27] Grant:
Like, that's a very good story. I hope that season four continues that kind of storytelling that was really good in the first two seasons. I think it's still intact in some of season three, but a little less so. So, we'll see, but I don't know. I mean, besides Roy Kent, are there any other characters you're excited to see back on screen in this episode?
[00:16:48] Drew:
I mean, it was good to see Rebecca, Keeley, and Higgins. It was fun to see them in America, like — there were lots of bits where I'm like, "Honey, I appreciate that." Um — but I'm really just excited to see Roy.
[00:16:59] Grant:
I think I've watched this show 90% for Roy Kent.
[00:17:04] Drew:
Um, I mean, I am excited to see kind of the character we liked in season three coaching — which we kind of saw — coaching, I didn't like a completely other, chatting with this women's team and seeing how all those dynamics go.
[00:17:20] Grant:
Mm-hmm.
[00:17:20] Drew:
But I think I agree with you, I want the depth of one and two, and not strictly the comedy — even though the comedy is good, and I want to laugh, but —
[00:17:30] Grant:
Yeah, I think this season has a little bit of a vibe around it too, that's like, "Man, it's so good to be home, so good to be back."
[00:17:38] Drew:
Right.
[00:17:38] Grant:
Like, the sentimental feel, which I think is great, but — one, Ted Lasso wasn't gone for that long.
[00:17:44] Drew:
That's true.
[00:17:45] Grant:
And two, it still doesn't — I don't know, I have — Toy Story 4, just stick with me for a second.
[00:17:51] Drew:
Okay.
[00:17:51] Grant:
I had this sentimental vibe of, "It's so good to be back," and I'd be like, "Hey, wait, wasn't Toy Story 3 a really good ending, though?"
[00:17:56] Drew:
Yeah.
[00:17:58] Grant:
Like, why do we have this "it's good to be back" vibe around it?
[00:18:01] Drew:
We have been here before.
[00:18:03] Grant:
So, I don't know, I really want to give the show the benefit of the doubt. I think their creatives working on it have been very solid, I think this is a very high-quality show. So I don't want to say this show is going to suck because it exists, or because season four exists, but...
[00:18:21] Drew:
Yeah, I agree with you, I am — I'm optimistic.
[00:18:26] Grant:
Yeah, that's a pretty Ted Lasso thing to be.
[00:18:29] Drew:
What can I say?
[00:18:30] Grant:
Do you believe in Ted Lasso's season four? If you'd say yes or no right now —
[00:18:32] Drew:
Oh gosh.
[00:18:34] Drew:
Uh — no.
[00:18:36] Grant:
You don't believe.
[00:18:37] Drew:
So I guess I'm not optimistic, I guess I just lied. Um —
[00:18:39] Grant:
That sounds pessimistic.
[00:18:43] Drew:
No, I don't think — I do want to believe.
[00:18:43] Grant:
Maybe that's the whole point.
[00:18:47] Drew:
But the evidence — the evidence is leading me, I'm like 55% no, 45% yes.
[00:18:55] Grant:
I think I'm flipped.
[00:18:56] Drew:
Okay.
[00:18:57] Grant:
I think I'm okay with it. Like, I don't like that it exists, but now that it exists, I think they did the best they probably could — I mean, almost the best they could, with getting Ted back there. I'm sure these conversations went — Apple executive: "Hey, Jason Sudeikis, we need another season of Ted Lasso." He was like, "Well, frick, we wrote an ending, so let's get Ted back there and come up with an interesting concept." And I think they have done that to a certain extent.
[00:19:22] Drew:
Yeah, okay.
[00:19:24] Grant:
But given the circumstances, I'm okay with it.
[00:19:27] Drew:
Yeah.
[00:19:29] Grant:
I also just love — I mean, I think there's an emotional part of me that's like, watching these characters on screen again is so good.
[00:19:33] Drew:
It is so good.
[00:19:34] Grant:
I'm so excited. So, we'll see, I'm cautiously optimistic, but I have issues.
[00:19:41] Drew:
Well, we'll be here every week talking about AFC Richmond.
[00:19:42] Grant:
Yeah.
[00:19:45] Drew:
Oh —
[00:19:45] Grant:
Yeah, okay. Favorite moment from the first three seasons of Ted Lasso — have you had to name one right now?
[00:19:52] Drew:
Easy — this might be one of my favorite moments, and although —
[00:19:55] Grant:
Wow, that's bold.
[00:19:57] Drew:
It's top ten for sure — when Jamie and his dad — is season two, when they —
[00:19:59] Grant:
Okay.
[00:20:03] Grant:
Oh my gosh, I was about to say the same freaking moment, I know exactly what you're about to say.
[00:20:06] Drew:
His dad's this jerk, right, and he's just like, in front of the whole team, and then Jamie hits him, and then it's just like everybody is quiet and no one's saying anything, and then Roy goes up and hugs him. Are you kidding me? Oh my gosh, it is so good. It's so good.
[00:20:12] Grant:
I did not re-watch the whole show before starting season four.
[00:20:32] Drew:
Neither did I, but I wanted to, after watching four. Yeah.
[00:20:34] Grant:
No, that's the — yeah, I watched a recap and I was like, "Man, I really want to watch the show again." There is a 4K UHD of the first three seasons, it might end up in my collection sooner than later. We'll see.
[00:20:39] Drew:
I mean — yeah.
[00:20:44] Grant:
That checks out. But no, I think that, and Ted forgiving Rebecca —
[00:20:53] Drew:
So good.
[00:20:53] Grant:
— which is also a very great scene, but not as good as that scene, for sure.
[00:20:56] Drew:
I mean, in a completely opposite vein, Nate leaving at the end of season two is great.
[00:20:58] Grant:
Oh my gosh, it's a very well-written moment. Yes, and again, we talked about the scene where Ted is talking in therapy about his dad's death. Like, yeah.
[00:21:08] Drew:
I mean, that whole episode —
[00:21:09] Grant:
I mean, there's a lot of great moments, so we'll dive more into the show week to week. If you have thoughts, if you are excited for Ted Lasso to be back, thanks for being here — hit that subscribe button.
[00:21:19] Drew:
Comment down below your thoughts on season four.
[00:21:21] Grant:
Should it exist? Who's your favorite character?
[00:21:23] Drew:
Yep, yep.
[00:21:24] Grant:
All the things you want to hear. Drew, what do we have coming up next on Stole My Line?
[00:21:29] Drew:
We have the long-awaited Spider-Man hot takes tomorrow, gonna be lit.
[00:21:31] Grant:
Yes, yes.
[00:21:34] Drew:
Um, we have Lanterns kind of low-key around the corner —
[00:21:37] Grant:
Coming up.
[00:21:38] Grant:
Yeah, coming up soon.
[00:21:39] Drew:
Um, we have Dune, Doomsday — obviously — we got Social Reckoning. I went through my IMDb and I should have written this down —
[00:21:47] Grant:
It's okay.
[00:21:47] Drew:
Didn't, but I marked out all the movies that I'm interested in that are coming in theaters. There were super interesting things out there. Um, but yeah, we got a bunch of artsy movies, we got Lanterns —
[00:21:53] Grant:
Yep.
[00:21:58] Drew:
We got — obviously, House of the Dragon finale is coming out next week —
[00:22:02] Grant:
Yep. Hit that subscribe button.
[00:22:03] Drew:
So we got lots of stuff.
[00:22:04] Grant:
It's free. We got a lot of stuff in the pipeline.
[00:22:06] Drew:
You should, yeah — we're here like every day —
[00:22:06] Grant:
We are also cooking on some really cool Stole My Line next steps.
[00:22:11] Grant:
So hit that subscribe button.
[00:22:08] Drew:
Or — it's true, some might say fantastic 2 — the next steps, by the fire.
[00:22:16] Grant:
No, dumbest title of all time. "Fantastic Four: The First Steps." It's so dumb. Anyway — alright, we got to get out of here, take a break.
[00:22:26] Drew:
Yep, and enjoy some AFC Richmond that go — again, go again.
[00:22:32] Grant:
Okay, alright, we're running that back. Take a break.
[00:22:35] Drew:
And enjoy a film.
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